Contemporary Composers & Musicians from Finland
Get to know the most essential contemporary composers and musicians from our playlist, available on Spotify and Apple Music.
Scroll down for all the composers' biographies and links.
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Kaija Saariaho
Kaija Saariaho is one of Finland’s internationally best known contemporary composers. She gained world fame in the 2000s with her original and immediately recognisable style that has evolved slowly but surely over the years. She focused on tonal colour at an early date. Electronics and new technology have also been part of her musical makeup for quite some time; she found an important base in the Ircam studios in Paris, her city of residence since 1982. Melody took prominence in her work in the early 1990s and rhythm in the early 2000s.
Meriheini Luoto
Meriheini Luoto, a 2016 graduate of Sibelius Academy, is an artist and composer who explores sound as a comprehensive phenomenon with violin, nyckelharpa, vocals, and electronics as her instruments of choice. Meriheini finds inspiration for her particular sound in several musical styles including experimental music, sonic arts, and Nordic folk music.
Outi Tarkiainen
Outi Tarkiainen is a composer who has one foot in the Modernist camp and one in the jazz camp. Several of her works exhibit, in a deeply instinctive way, an organic, innovative dialogue between these two traditions – an example being the title work of her acclaimed disc “Into the Woodland Silence”. Tarkiainen’s music is frequently performed abroad and has been dubbed to draw on the immensity of the northern natural environment. Her saxophone concerto Saivo was nominated for the 2018 Nordic Council Music Prize. In 2019 the BBC Philharmonic and the National Arts Centre Orchestra from Canada commissioned her to write an orchestral work for the BBC Proms Festival.
Perttu Haapanen
Perttu Haapanen is a Modernist, but his idiom is like a refreshing typhoon within that style. “Like a true Modernist, he has sought and explored the bounds of his idiom in diverse ways, even though his works are always carefully considered and polished,” writes Kimmo Korhonen. His output is diverse, and many of his works are tinged with an original sense of humor in their sounds and for instance in the invented languages of his vocal works.
Antti Auvinen
Antti Auvinen is a composer with a particular interest in timbre and rhythm. The majority of his output is chamber music scored for unusual ensembles, an example being Orior (2012), written for the Atlas Ensemble that brings together instruments from all around the world. “Using polyrhythmic and polypulsational effects, he creates an impression of musical direction in his works,” writes Jouko Laaksamo. “Although Auvinen takes a Modernist attitude towards composition, he does not neglect emotional tensions, which play a very important part in his music.”
Esa-Pekka Salonen
Esa-Pekka Salonen is not only an internationally celebrated conductor but also a significant composer. Being a conductor, he has excellent command of writing for both large and small orchestra in a way that is gratifying for the musicians. His orchestral works include his greatest successes. Salonen’s restless innovation drives him constantly to reposition classical music in the 21st century. In 2015 he addressed the Apple Distinguished Educator conference on the uses of technology in music education, and his Violin Concerto was featured in an international campaign for iPad. Salonen is currently the Principal Conductor & Artistic Advisor for the Philharmonia Orchestra and the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009.
Kalevi Aho
Kalevi Aho is one of Finland’s most well-known composers. Much of Aho’s symphonic output is the result of years of close collaboration with Sinfonia Lahti. Aho is a master of multiple classical and contemporary genres who in the course of his career has gone from Shostakovich-tinted Neo-Classicism towards Modernism, Post-Modernism and free tonality, combining these in a highly original idiom. Besides being a prolific composer, he is an influential figure on the Finnish musical scene in many other ways too.
Sauli Zinovjev
Since graduating from the Sibelius-Academy Sauli Zinovjev has been focusing mainly on orchestral music with commissions and performances by distinguished orchestras such as the Finnish and Swedish Radio Symphony Orchestras, Orchestra de Chambre de Lausanne and most important Finnish orchestras in collaboration with some of the frontline conductors and soloists such as Klaus Mäkelä and Pekka Kuusisto. At the moment Zinovjev is composing a Piano Concerto for pianist Vikingur Olafsson commissioned by Finnish and Swedish Radio Symphony Orchestras to be premiered in 2020. Zinovjev composes music that conveys vast emotions. He uses classical music to make his view of the world intelligible. To convey it – life – to others.
Sampo Haapamäki
Sampo Haapamäki searched and explored Modernism in his compositions before extending his idiom to microintervals and spectral music. Quarter-tone harmonies have played a key role in his music since 2004. He has written works for instance for the quarter-tone accordion. He won several international prizes at an early stage in his career, including the ISCM Young Composer Award in 2005. His work Kirjo, a concerto for bass clarinet and chamber orchestra, was awarded the Teosto Prize in 2006; the jury described it as a “jubilant and bold work unheeding of boundaries”.
Matthew Whittall
Born in Canada, Matthew Whittall found his way to Finland in search of musical freedom and nature. The natural environment is a scarlet thread in his output, which includes a massive collection of piano preludes entitled Leaves of Grass after the poetry collection by Walt Whitman. His artistically oriented doctorate was on the idea of nature in Gustav Mahler’s Das Lied von der Erde. “Accessible without being banal” was the verdict on his musical idiom when in 2013 he received the distinguished Teosto Prize for his work Dulcissima clara sonans, based on the visions of Hildegard of Bingen.
Ville Raasakka
Ville Raasakka notes that he is focused on sonority and sound in its acoustical and everyday forms. “Most often, this means microtonality, concrete sounds of instruments and the use of everyday sounds from cityscapes or nature,” he says. His works may find inspiration in extra-musical subjects such as memory or loneliness, which can often be seen in the titles of his works.
Sebastian Fagerlund
Sebastian Fagerlund has rapidly become one of the most successful composers of his generation. His style is robust and easily identifiable, a combination of spiky rhythms and long, meditative arcs. His principal works include the Clarinet Concerto (2006), after which his career properly took off. In 2011, he received the Teosto Prize for Ignite for symphony orchestra.
Juhani Nuorvala
Juhani Nuorvala, described by Juha Torvinen as an “electro-acoustic urban minimalist”, seeks inspiration from widely varied sources. With the enthusiasm of an explorer, he has delved into microtonality, French spectral music, techno and rock. It all becomes organically fused into his own idiom, often characterised by a frenzied rhythmic drive. “Nuorvala seeks various ways to combine these apparently distant phenomena; in fact, the opposition or juxtaposition of two contrasting elements characterises many of his works,” writes Kimmo Korhonen.
Leif Segerstam
Leif Segerstam is a multitalented musician who has developed full careers in both conducting and composing. He has developed his own style of composing that he calls "free-pulsative", where the precise temporal relations between the parts of the musicians involved are not exactly determined. Segerstam is known as an incredibly prolific composer who may be inspired to write a dozen symphonies a year - there are already several hundred of them! "Segerstam does not so much create independent works as strands from the same musical flow of consciousness," notes Mikko Heiniö.
Olli Virtaperko
Olli Virtaperko made his breakthrough as a composer with large-scale orchestral works, but his profile is highly diverse. He has written for big band, accordion, kantele, Baroque orchestra and the brand new knifonium instrument, among others. “I haven’t changed my mind over the general lameness, meaninglessness and boringness of crossover, but if you really know what you are doing, crossover may, on really rare occasions, work,” he says and notes that he is “a Renaissance, Baroque and Modernism man”.
Magnus Lindberg
Magnus Lindberg is one of Finland’s internationally most celebrated contemporary composers, whose works are regularly performed by the world’s leading musical institutions. He has progressed from his early Modernism towards a more human idiom, defining a new classical Modernism. Harmony, tonal colour, texture and rhythm are important elements in his music; recently, melody has grown in importance. Lindberg is above all a master of the orchestra, and he has also written a considerable body of chamber music. His persona combines a rational technology buff (who experimented with computers at a very early stage) with a practical musician. He himself plays the piano, and he sometimes also conducts his own works.
Lotta Wennäkoski
Lotta Wennäkoski’s music falls within the Modernist camp, but she distinguishes herself as a master of lyrical tones. “The music is buoyant and lucid, as if waiting for the listener to jump up and grab hold of its sound world,” writes Karoliina Vesa about Hava (2007) for orchestra. Lotta Wennäkoski says she has always been interested in language and literature, including lyrical poetry. Among the latest orchestral works of Wennäkoski are Flounce commissioned by the BBC for the Last Night of the Proms (World premiere: 9.9.2017) and Uniin asti for male choir and orchestra commissioned by the Finnish RSO (World premiere: 6.12.2017).
Jukka Tiensuu
Jukka Tiensuu is a composer much in demand internationally whose works are very different from each other – and even any given work may contain improvisation, pantomime and choices for the performers (for instance, Yang 1 and Yang 2 may be performed separately or simultaneously). “...when seeking the fundamental essence of music, one cannot confine oneself to a narrow approach,” he has said. Tiensuu also frequently uses microintervals. His own instrument is the harpsichord, and he is keeping up a constant dialogue with the past.
Aulis Sallinen
Aulis Sallinen is a respected maestro whose successful composing career has already spanned half a century. “A strong tonal stamp, simple thematic formulas, clarity of formal construction, and above all a use of repetition which pervades every level of the music – these are Sallinen’s main stylistic traits in a nutshell,” writes Mikko Heiniö. Sallinen's output features a lot of instrumental music, including chamber music, concertos and eight symphonies. But he is best known for his operas. Ratsumies (The Horseman, 1975) was the work that launched the great Finnish opera boom, and since then he has written numerous works for the stage, from light-hearted musical theatre to grand tragedy.